Here’s a recent mix CD I made. It’s a bit heavy on the pop standards and light swing, noticeably lacking in the classical and electronic ends of my listening habits, but it has some nice juxtapositions I think.
1. There’ll Be Some Changes Made (Dave Brubeck/Jimmy Rushing)
2. The Anchor Song (Björk)
3. Croon Spoon (Eddie Vedder/Susan Sarandon, music by Mark Blitzstein)
4. Maggie’s Farm (Bob Dylan)
5. Frontier Psychiatrist (The Avalanches)
6. Daphné (Django Reinhardt)
7. Wondering Where (Don Byron, music by Scott Kirby)
8. Got My Own Thing Now (Squirrel Nut Zippers)
9. Let’s Do It (Ella Fitzgerald, music by Cole Porter)
10. And She Was (Talking Heads)
11. Re-Hash (Gorillaz)
12. Yo Mama (The Pharcyde)
13. Alabama Song (Ute Lemper, music by Kurt Weill, lyrics by Bertholt Brecht)
14. Go To Sleep (Radiohead)
15. Wandering Star (Portishead)
16. The Very Thought of You (Billie Holiday)
17. Beyond The Sea (Bobby Darin)
18. Sympathique (Pink Martini)
19. Coney Island Baby (Tom Waits)
A new application for the iPod, called wiPod has a list of free wireless spots in the Bay Area. If my laptop had a functional battery, I’d add this to my list of reasons to buy an iPod…
Via Manu, a cool article on Saul Bass and the art of credit titles. I almost enjoy the opening credits as much as the rest of the movie, so this bit of film history is fascinating.
I went to see the Magnetic Fields play at the Palace of Fine Arts in San Francisco, just south of the Golden Gate Bridge. It was one of the better shows I’ve seen, and just what I wanted — relaxing, yet exciting, funny banter, and a surprisingly good opening act by Australian Darren Hanlon. They played Papa Was A Rodeo, Yeah Oh Yeah (with choreography even!), Chicken With Its Head Cut Off, I Die, I Looked All Over Town, I Thought You Were My Boyfriend, Busby Berkeley Dreams, Reno Dakota, and many many others, including some from earlier albums that I had heard only once, songs from the Pieces of April soundtrack, and one from a Lemony Snicket audiobook. Apparently Lemony Snicket used to be in the band.
The Palace of Fine Arts is one of those venues with a huge wide stage and only 25 rows of seats. I’ve been very happy with concerts in San Francisco — most places are pretty small so that you don’t have terrible views, unlike the Shoreline in Mountain View, which wins the prize in my book for Worst Concert Venue Ever.
If I hadn’t just blown $60 at Amoeba I’d be tempted to buy one of Hanlon’s CDs and/or the Charm of the Highway Strip. Alas and alack…