Thinking, Fast and Slow (Daniel Kahneman). This was recommended by Vivek Goyal, and is Kahneman’s popular nonfiction book about the psychology of decision making in humans (as opposed to rational-decision making models like those in economics). The System 1/System 2 model was new to me, even though the various biases and heuristics that he describes were things I had heard about in different contexts. While quite interesting and a book that anyone who works on decision making should read (I’m looking at you, statisticians, machine learners, and systems-EE folks), it’s a bit too long, I think. I found it hard to power through at the end, which is where he gets into prospect theory, a topic which my colleague Narayan Mandayam is trying to apply in wireless systems.
Men Explain Things To Me (Rebecca Solnit). A slim volume collecting several of Solnit’s essays on feminism and its discontents, from the last few years. I was familiar with some of the essays (including the first one) but was surprised by her ultimately hopeful tone (many of the essays come with introductions describing their context and how she feels about them now). Highly recommended, but I don’t think it will help with any Arguments On The Internet.
The Idea of India (Sunil Khilnani). This book is a bit older now but provides a lot of crucial context about the early Indian state, the relationship between urbanism and social change, and the nature of electoral politics in India. Reading this gave me a more nuanced view of the complexity of contemporary Indian politics, or at least a more nuanced view of how we got here (beyond the usual history of communalism). The origins of the cronyism of Congress and the causes and effects of the Emergency were also a new perspective for me.
The Sympathizer (Viet Thanh Nguyen). This is about an undercover Vietnamese (well, half-Vietnamese, as people keep pointing out) undercover agent who leaves during the evacuation of Saigon and embeds himself in the refugee community, sending coded messages about counter-revolutionary plans. Our unnamed narrator has a an epic adventure, darkly comic and tragic, initially told as a confessional in some sort of prison interrogation. He was educated in the US before going back to Vietnam — this puts him between two worlds, and the novel is fundamentally about this tension. Throughout people are archetypes: The General, The Auteur, the crapulent major. Although long, the novel is rewarding: the last quarter really put me through the wringer, emotionally.
Station Eleven (Emily St. John Mandel). A novel about a post-apocalyptic future (split between pre-slightly post-and much post) in which much of the world has been decimated by a mysterious infection. The novel revolves around a series of connected characters: an actor who dies on stage in a production of King Lear, his ex-wife, who wrote a series of comics about a remote station, a child actor from the same production who survives to become part of a traveling theater company in the post-apocalyptic wasteland that was once Michigan, an audience member who was once a paparazzo following the actor. The whole novel has a haunting air to it, a bit of a dreamy sensibility that makes it easy to read (too) quickly. The connections between the characters were not surprising when they were revealed, but they didn’t need to be — the book doesn’t rely on that kind of gimmickry. Read it while traveling: you won’t look at airports the same way again.