I received the following TPC review recently (a rejection):
The current version of the paper is incomplete, as important proofs (the novel results…) are left to supplementary material. This can be resolved, however would require a major structural change.
I think I would have preferred the TPC to simply say “we had too many papers, and yours wasn’t in the top X%,” rather then append this completely nonsensical reason for rejection. We put the proofs in the supplementary material because of space constraints. We could just as easily have omitted other things and put the proofs in the main body by doing some minor cutting and pasting. It may be a “major structural change,” but its also trivial. Perhaps they thought the paper was poorly written, but they did not say that.
Of course I’m disappointed that the paper wasn’t accepted, especially given that all the reviewers recommended acceptance. It’s clear that the real reason the TPC rejected us was that the scores were not high enough and they had to reject a lot of papers. It sucks to be on the bad side of a subjective decision, but it happens to everyone. Making up a pseudo-objective reason is about as useful as a little white lie. As it is, this description is about as principled as “your paper has too many authors,” or “your bibliography is too long” or “we cannot accept any more papers starting with the letter D.” There’s always the next deadline, anyway.
I sang this morning with other members of the Bach Collegium San Diego on the KBPS radio show These Days. Our director, Ruben, and two singers, Anne-Marie and Martha, talked about how we’re going for Baroque this weekend in singing all six of Bach’s motets.
Also featured: comparisons between zoning out while singing Bach and wandering into a dark alley in Leipzig (followed by the Brandenburg Boys? You don’t want to mess with them!)
Six Bach Motets BWV 225-230 & Gala Reception
Ruben Valenzuela, Music Director
Vocalists of the Bach Collegium San Diego
Daniel Zuluaga, Lute
Shanon Zusman, Violone
Michael Sponseller, organ
Saturday, 20 February
St James by-the-Sea Episcopal Church
743 Prospect Street, La Jolla CA 92037
(Gala Reception to immediately follow in Van Schaick Room)
Sunday, 21 February
Loyola Marymount University (Murphy Recital Hall)
1 LMU Drive, Los Angeles CA 90045
Concerts at 7pm
$35 Reserved Patron
$25 General Admission
For tickets or other inquiries: online or (619) 341.1726
Since its founding in 2003, the Six Bach Motets have been at the core of the BCSD’s repertoire, but never ALL SIX! The motets will be performed with vocal ensembles ranging from 4-16 voices.
The San Diego concert will be immediately followed by our annual Gala Benefit Reception in the Van Schaick Room of St. James by-the-Sea. Plan now to attend both!
For combination ticket packages are available for both concert and gala. Please refer to our website for details.