Linkage

A rather pretty video of an L-system made by my friend Steve.

LACMA, which I finally saw with a friend in February, has decided to offer high-resolution downloads of many of the items in its collection. This Ganesha has a pretty impressive belly. Via MeFi.

This may answer David Bowie’s question.

This slideshow makes me want to go to Slurping Turtle again.

Sometimes I wish we could just name p-values something else that is more descriptive. There’s been a fair bit of misunderstanding about them going on lately.

Linkage

More attacks on anonymity in DNA databases.

A letter from Kurt Vonnegut to the head of a school board in North Dakota who burned copies of Slaughterhouse Five. (via MeFi)

An interview with Olympic bronze medalist John Carlos on giving a black power salute at the 1968 Olympics.

Tomorrow is National Grilled Cheese Day.

I really enjoyed this exhibit of Tagore’s painting at The Art Institute of Chicago, although my favorite drawing is not online, this bird was pretty cool.

Linkage

I will post more about Allerton soon (I’m still on the road), but I wanted to clear out some old links before doing that. I’m starting my new gig at TTIC this week, and the last few weeks have been a whirlwind of travel and internetlessness, so blogging has been curtailed.

And a (not-so-recent) tour around the ArXiV — I haven’t had a chance to read these yet, but maybe once I am settled…

Linkage

Via Jay P., a pretty amazing dance video.

Via 530nm330Hz, a very interesting tidbit on the history of the one-time pad. A free tech report version is available too. The one-time pad XOR’s the bits of a message with a i.i.d. random bitstring of the same length, and is credited to Gilbert Vernam and Joseph Mauborgne. However, as Steven Bellovin‘s paper shows,

In 1882, a California banker named Frank Miller published Telegraphic Code to Insure Privacy and Secrecy in the Transmission of Telegrams. In it, he describes the first one-time pad system, as a superencipherment mechanism for his telegraph code. If used properly, it would have had the same property of absolute security.

Although in theory Miller can claim priority, reality is more complex. As will be explained below, it is quite unlikely that either he or anyone else ever used his system for real messages; in fact, it is unclear if anyone other than he and his friends and family ever knew of its existence. That said, there are some possible links to Mauborgne. It thus remains unclear who should be credited with effectively inventing the one-time pad.

Another fun tidbit : apparently mother’s maiden name was used for security purposes way back in 1882!

I really like shiso leaves and their cousins. I had a shiso plant but it did not survive the California sun / I have a black thumb. One of my favorite meals at ISIT 2009 was with Bobak Nazer, where we found an out-of-the way BBQ joint where they brought us a long box filled with 7 varieties of leaves, including perilla leaves. It makes me hungry just writing about it.

Kudos to Adrienne for the amazing photo.

There’s Only One Sun, a short sci-fi film by Wong Kar-Wai.

assorted links and news

More on self-plagiarizing.

This looks like an interersting book on the homeless, especially given all the time I spent in the Bay Area.

Tyler Perry has shortened the title of his film adaptation of Ntozake Shange’s For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf.

Evaluating Fredric Jameson.

Max really digs in to directed information.

In other news, after ITW I went to Paris to hang out and work with Michele Wigger on a small story related to the multiaccess channel with user cooperation. While I was there saw some fun art by Detanico/Lain and caught a show by Fever Ray at L’Olympia. In fact, I’ll be headlining there soon:

ADS Headlines at L'Olympia

Have a good Sunday, everyone!

Racist “Wild West Tribute” at Ocean Beach

American “artist” Thom Ross has recreated a tableaux of Buffalo Bill Cody and his Wild West Show on Ocean Beach in San Francisco. This show was the equivalent of blackface minstrel shows of the 19th century but for Native Americans, yet is lauded in the press as a “tribute.” He himself is quoted as calling it a “Valentine to my hometown.” Of course, since Native Americans are such a marginalized population in the US, he can get away with it — life-size plywood figures of Sambo eating his watermelon with the head cut out so you can take a photo would never have made it off the drawing board. So much for cultural sensitivity, San Francisco.

It boggles the mind that such an astoundingly uncritical recreation is put up as a public art project in an ostensibly progressive major city. I’m used to dull things like giant arrows coming out of the ground. But is this art? Does it invite us to think about the image and it context? Does it intend to implicate us by inviting us to take the cutout photo-op because it should leave a dirty taste in our mouths? No. It’s simply a paean to a degrading, exploitative, and racist past. Valentine, indeed.

Here is some more information (pdf), courtesy of mark27. Hat tip to Jen for pointing out the article and the link to the flyer.

p.s. The comments on the Chronicle’s website are equally horrific.

p.p.s. There is some reaction from a show on KPFA.